{"id":839,"date":"2026-06-22T18:02:26","date_gmt":"2026-06-22T18:02:26","guid":{"rendered":"https:\/\/redzine.co.uk\/index.php\/2026\/06\/22\/house-of-the-dragon-four-real-historic-women-who-inspired-the-show\/"},"modified":"2026-06-22T18:02:26","modified_gmt":"2026-06-22T18:02:26","slug":"house-of-the-dragon-four-real-historic-women-who-inspired-the-show","status":"publish","type":"post","link":"https:\/\/redzine.co.uk\/index.php\/2026\/06\/22\/house-of-the-dragon-four-real-historic-women-who-inspired-the-show\/","title":{"rendered":"House of the Dragon: four real historic women who inspired the show"},"content":{"rendered":"

Dragons may be fictional, but the struggle for the throne, influence and legitimacy in House of the Dragons has roots in conflicts that shaped real history. <\/p>\n

Long before the fictional Westeros<\/a>, women across Europe and Asia faced rival claimants, political factions and systems designed to keep them from power. <\/p>\n

Like Rhaenys Targaryen, Alicent Hightower and other powerful women in the series, they learned to navigate court, forge alliances, manage public opinion and fight for their place in the political order. Here are four of the real women who inspired the characters in the TV series. <\/p>\n

1. Rhaenyra Targaryen and Empress Matilda (1102\u20131167)<\/h2>\n

Like the real Empress Matilda<\/a> in England, the fictional Rhaenyra Targaryen (played by Emma D’Arcy) faces criticism from her contemporaries and rivals for qualities that often earn the admiration of male rulers \u2013 including determination, pride and political ambition. While both women came close to achieving their goals and nearly retained power, neither held it for long.<\/p>\n

They both faced determined opposition from rival claimants. Matilda entered London in 1141 and was recognised as England\u2019s ruler, but was driven out before being crowned<\/a>. <\/p>\n

\n \"Medieval<\/a>
\n Empress Matilda as depicted in the Gospels of Henry the Lion (circa 1188).<\/span>
\n Bavarian State Library, Munich<\/a><\/span>
\n <\/figcaption><\/figure>\n

Matilda\u2019s claim to the kingdom was contested by her cousin Stephen of Blois, whose seizure of the English throne triggered the civil war known as the anarchy<\/a>. <\/p>\n

Similarly, in House of the Dragon, Rhaenyra\u2019s claim was challenged by her half-brother Aegon II, despite her father\u2019s clear designation of her as heir. Aegon\u2019s coronation divides Westeros and plunges it into conflict.<\/p>\n

In both cases, crises emerge because powerful factions oppose a female ruler. The author of the Game of Thrones<\/a> book series that inspired the show, George R.R. Martin<\/a>, has cited England\u2019s 12th-century anarchy as inspiration for Westeros\u2019s struggles<\/a>.<\/p>\n

\n

\n
\n
\n Read more:
\n HBO\u2019s \u2018House of the Dragon\u2019 was inspired by a real medieval dynastic struggle over a female ruler<\/a>
\n <\/strong>
\n <\/em>\n<\/p>\n

\n

2. Rhaenys Targaryen and Eleanor of Aquitaine (c. 1124-1204)<\/h2>\n

Like Rhaenys Targaryen (played by Eve Best), Eleanor of Aquitaine held a position that gave her prestige and influence \u2013 queen of France and later England. Although neither became the principal ruler of their kingdom, both wield considerable political power through family ties, diplomacy and reputation.<\/p>\n

Eleanor was respected for her political acumen and ability to navigate dynastic conflict, much like Rhaenys. <\/p>\n

\n \"Painting<\/a>
\n Queen Eleanor by Frederick Sandys (1858).<\/span>
\n National Museum Cardiff<\/a><\/span>
\n <\/figcaption><\/figure>\n

She played a key role<\/a> in France and England, whereas Rhaenys is one of the experienced and level-headed voices within the Targaryen family. They share an understanding of succession and family alliances, shaping the political future of their descendants beyond their generation.<\/p>\n

Eleanor of Aquitaine<\/a> was a political figure who served as regent, negotiated alliances and directly governed the state. By contrast, Rhaenys exerts influence through counsel, family ties and her place in the Targaryen dynasty. Eleanor\u2019s power spanned kingdoms and decades, while Rhaenys\u2019s role is largely confined to the struggle between rival claimants to the iron throne \u2013 the seat of power in Westeros.<\/p>\n

\n

\n
\n
\n Read more:
\n \u2018House of the Dragon\u2019 was inspired by the chaos of the Middle Ages, a world without law and order<\/a>
\n <\/strong>
\n <\/em>\n<\/p>\n

\n

3. Alicent Hightower and Catherine de\u2019 Medici (1519\u20131589)<\/h2>\n

Like Alicent Hightower (Olivia Cooke) in House of the Dragon, Queen Consort of France Catherine de\u2019 Medici sought to secure her children\u2019s future and strengthen her dynasty during political instability.<\/p>\n

In the show, Alicent uses dynastic marriage alliances as political tools, viewing her children\u2019s connections as vital to safeguarding her family\u2019s future \u2013 just as Catherine did in real life.<\/p>\n

\n \"Portrait<\/a>
\n Portrait of Catherine de\u2019 Medici in her mourning clothing by Fran\u00e7ois Clouet (circa 1560).<\/span>
\n Wiki Commons<\/a><\/span>
\n <\/figcaption><\/figure>\n

Both women found themselves at the centre of affairs in times of crisis: Alicent during the dance of the dragons (a catastrophic civil war of succession), Catherine during the French wars of religion (eight significant civil conflicts fought between French Catholics and Calvinist Protestants). <\/p>\n

Though devoted to their children\u2019s futures, both women ultimately witnessed dynastic tragedy. Catherine outlived several children, while in House of the Dragon, Alicent sees her family destroyed by civil war.<\/p>\n

Following the death of Henry II in 1559, Catherine became a leading figure in French politics<\/a>, serving as regent for her son Charles IX and later as chief adviser to some of the Valois kings, a branch of the Capetian dynasty that ruled France from 1328 to 1589.<\/p>\n

\n

\n
\n
\n Read more:
\n Who was Catherine de\u2019 Medici? The Serpent Queen gives us a clever, powerful and dangerous woman<\/a>
\n <\/strong>
\n <\/em>\n<\/p>\n

\n

By contrast, Alicent exerts influence through her status as queen, the king\u2019s mother and a member of the Hightower family. She is devoted to the Faith of the Seven, the dominant religion of Westeros, and justifies her actions with religious rhetoric. Catherine, though Catholic, adopted a pragmatic approach<\/a>, prioritising dynastic stability and the interests of the French crown over confessional loyalty.<\/p>\n

4. Helaena Targaryen and Zinaida Volkonskaya (1792\u20131862)<\/h2>\n

Not all influential women through history have sought power directly. Like Helaena Targaryen (Phia Saban) in House of the Dragon, the Russian princess Zinaida Volkonskaya belonged to high echelons but remained removed from politics.<\/p>\n

In the TV show, Helaena is known as the \u201cdreamer of House Targaryen\u201d, set apart from the rest of her family by prophetic visions. Volkonskaya, meanwhile, was known for her intellectual and artistic interests<\/a>. Like Helaena, who is beloved in the capital city of Westeros, King\u2019s Landing, she inspired admiration beyond her circles. Volkonskaya\u2019s salons attracted Tsar Alexander I.<\/p>\n

The key difference between Volkonskaya and the fictional Helaena lies in how they expressed their talents. Helaena has remained on the sidelines of public life, rarely turning her visions or ideas into political action. By contrast, Volkonskaya transformed her intellectual and artistic interests into cultural influence.<\/p>\n

As well as hosting salons in Moscow and Rome, she wrote poetry, composed music, performed in private theatres and became a patron of the arts. Whereas Helaena\u2019s influence is personal and symbolic, Volkonskaya\u2019s was active, public and cultural<\/a>, exercised through the networks she created.<\/p>\n

\n \"Portrait<\/a>
\n Portrait of Zinaida Volkonskaya by Orest Kiprensky (circa 1830).<\/span>
\n Hermitage Museum<\/a><\/span>
\n <\/figcaption><\/figure>\n

The real historical women whose stories can be found in the heroines of House of the Dragon exercised power in very different ways. Empress Matilda fought for a throne that many believed a woman should never have inherited. Eleanor of Aquitaine shaped the politics of kingdoms through diplomacy, family alliances and her own experiences. <\/p>\n

Catherine de\u2019 Medici sought to preserve her dynasty during one of the most turbulent periods in French history. And Zinaida Volkonskaya demonstrated that influence can be wielded through culture, patronage and social networks, rather than solely through official political office.<\/p>\n

Their stories are a reminder that female power has never been confined to a single model. Some women ruled; others advised, negotiated, engaged in patronage, or inspired. But they are united by their ability to shape the world around them, despite the constraints imposed upon them.<\/p>\n

\"The<\/p>\n

Stacy Olive Jarvis does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Dragons may be fictional, but the struggle for the throne, influence and legitimacy in House of the Dragons has roots in conflicts that shaped real history. Long before the fictional Westeros, women across Europe and Asia faced rival claimants, political factions and systems designed to keep them from power. Like Rhaenys Targaryen, Alicent Hightower and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-839","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=839"}],"version-history":[{"count":0,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/839\/revisions"}],"wp:attachment":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}