{"id":2042,"date":"2026-10-16T10:36:36","date_gmt":"2026-10-16T10:36:36","guid":{"rendered":"https:\/\/redzine.co.uk\/index.php\/2026\/10\/16\/primes-carrie-miniseries-expands-stephen-kings-story-but-weakens-its-central-horror\/"},"modified":"2026-10-16T10:36:36","modified_gmt":"2026-10-16T10:36:36","slug":"primes-carrie-miniseries-expands-stephen-kings-story-but-weakens-its-central-horror","status":"publish","type":"post","link":"https:\/\/redzine.co.uk\/index.php\/2026\/10\/16\/primes-carrie-miniseries-expands-stephen-kings-story-but-weakens-its-central-horror\/","title":{"rendered":"Prime\u2019s Carrie miniseries expands Stephen King\u2019s story \u2013 but weakens its central horror"},"content":{"rendered":"<p><em>Warning: this article contains spoilers for those not familiar with the plot of Stephen King\u2019s Carrie.<\/em><\/p>\n<p>Amazon Prime\u2019s Carrie is the fourth screen adaptation of Stephen King\u2019s debut novel. Developed by frequent King collaborator Mike Flanagan (who also directed Gerald\u2019s Game, Doctor Sleep and The Life of Chuck), this eight-episode miniseries follows the legacy of Brian De Palma\u2019s classic 1976 film starring Sissy Spacek. <\/p>\n<p>Published in 1974, <a href=\"https:\/\/theconversation.com\/topics\/stephen-king-34569\">King\u2019s<\/a> <a href=\"https:\/\/uk.bookshop.org\/a\/15793\/9781399731294\">original book<\/a> tells the story of the infamous \u201cblack prom\u201d through a tense, tight mix of prose, fake news reports and eyewitness interviews. <\/p>\n<p>Bullied teenager Carrie White, who lives alone with her religious zealot mother in a quiet Maine town, discovers that she has supernatural, telekinetic powers (the ability to manipulate matter with her mind). After being invited to the senior prom by high school heartthrob Tommy Ross, she finally has a chance to escape her mother\u2019s influence and find acceptance among her peers. But when events at prom take a dramatic, horrific turn, Carrie\u2019s powers are finally unleashed.  <\/p>\n<p>In the first few episodes, Flanagan is surprisingly faithful to King\u2019s novel. He also usefully deepens the moral complexity behind much of the story\u2019s events. Chris Hargensen, Carrie\u2019s nemesis, is developed beyond being simply villainous and cold-hearted. Instead, she is shown to be as troubled and afflicted by social and parental pressure as Carrie is herself.<\/p>\n<figure><figcaption><span class=\"caption\">The trailer for Carrie.<\/span><\/figcaption><\/figure>\n<p>The performances of the central cast are excellent. Summer H. Howell as Carrie, Alison Thornton as Chris and Siena Agudong as their mutual friend Sue Snell are standouts. And Flanagan\u2019s aesthetic flourishes are, at times, masterful. A montage in the penultimate episode set to Lana Del Rey\u2019s song <a href=\"https:\/\/www.youtube.com\/watch?v=IuY54A3bOmg\">Did You Know There\u2019s a Tunnel Under Ocean Blvd<\/a> showcases the lead-up to and arrival at prom that evokes both adolescent wonderment and anxious dread at the events about to unfold.<\/p>\n<p>However, Flanagan\u2019s expansion of the novel\u2019s events are also this adaptation\u2019s fundamental weaknesses. <\/p>\n<p>The original novel and the classic film adaptation are tightly structured and compact. The Prime mini series, meanwhile, stretches events over the course of eight nearly hour-long episodes. The novel\u2019s brevity \u2013 it\u2019s just over 200 pages in most editions \u2013 compounds the claustrophobic atmosphere of the intense bullying Carrie suffers, which makes the tragedy of the black prom even more acute. <\/p>\n<p>Crucially, the novel and film also keep Carrie isolated from Chris, Sue and the other girls at school, whereas Flanagan depicts Carrie forming an unlikely friendship with them even after they begin bullying her. This alteration makes little narrative sense especially given that, in the novel, the prom is depicted as the climax of Carrie\u2019s young life and a moment of burgeoning, long-deferred social acceptance.<\/p>\n<p>Flanagan\u2019s major error is in his creation of an entirely new character, Emaline (Thalia Dudek), a fellow telekinetic who negatively influences Carrie\u2019s behaviour. Emaline encourages Carrie to not only hone and strengthen her powers but to strike back at her bullies.<\/p>\n<p>To my mind, this change undermines the entire point of King\u2019s novel and diminishes precisely why the story continues to be so powerful after more than half a century: the black prom is the moment at which Carrie finally exerts agency, control and power over her tormentors. To take that power away from her is a morally neat and misguided attempt at clearing Carrie of wrongdoing. It undermines the implication in the original novel that, perhaps, Carrie\u2019s actions can be understood if not condoned or justified.<\/p>\n<p>In a post-Columbine context where school massacres are common across the US, the implication that Carrie\u2019s actions during the prom could be comprehensible was probably too unpalatable and divisive for the studio. <\/p>\n<p>Carrie shares many similarities with King\u2019s 1977 novel Rage (originally published under his alias, Richard Bachman). It has been permanently taken out of print by King himself after the novel was linked to <a href=\"https:\/\/screenrant.com\/stephen-king-rage-book-out-print-controversy-explained\/\">several real-life high school shootings<\/a>. <\/p>\n<p>When seen in that context, updating these details of Carrie\u2019s original plot allows Flanagan to approach difficult material with sensitivity. Yet, if the subject matter raises such uncomfortable questions, would viewers not benefit from a new story that, while heavily inspired by King\u2019s original tale, makes its own unique narrative contribution to the horror genre?<\/p>\n<p>Overall, Flanagan\u2019s Carrie fails to satisfy as much as the original novel or 1976 film adaptation do, which is unfortunate, because the series shines when it is most faithful to the source material. <\/p>\n<p>Flanagan shared in an <a href=\"https:\/\/bloody-disgusting.com\/tv\/3872178\/carrie-tv-series-stephen-king\/\">interview<\/a> that King\u2019s first response to plans for a new adaptation was: \u201cLeave her [Carrie] alone. She\u2019s been through enough.\u201d Carrie, and the audience, may have been better served if Flanagan had taken the author\u2019s advice.<\/p>\n<p><em>This article features references to books that have been included for editorial reasons, and may contain links to bookshop.org. If you click on one of the links and go on to buy something, The Conversation UK may earn a commission.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/counter.theconversation.com\/content\/294512\/count.gif\" alt=\"The Conversation\" width=\"1\" height=\"1\" \/><\/p>\n<p class=\"fine-print\"><em><span>Ahmed Honeini is an Honorary Research Associate in American Literature at Royal Holloway, University of London. <\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Warning: this article contains spoilers for those not familiar with the plot of Stephen King\u2019s Carrie. Amazon Prime\u2019s Carrie is the fourth screen adaptation of Stephen King\u2019s debut novel. Developed by frequent King collaborator Mike Flanagan (who also directed Gerald\u2019s Game, Doctor Sleep and The Life of Chuck), this eight-episode miniseries follows the legacy of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2042","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=2042"}],"version-history":[{"count":0,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2042\/revisions"}],"wp:attachment":[{"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=2042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=2042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redzine.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=2042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}